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30. MY WINNIPEG
Guy Maddin had an incredible run this decade, from the insane short THE HEART OF THE WORLD to this alluring "docu-fantasia" hybrid that critiques and celebrates his hometown like no one else could.
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29. JUDY BERLIN
A low budget, black-and-white fable about a day in the life of a sleepy Long Island suburb--the type of little indie film that now seems lost to a cherished, almost mysterious, long-ago era.
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28. DONNIE DARKO
Kitty Farmer: "Rose, I don't know if you realize what an opportunity this is for our daughters. This has been a dream of Samantha's and all of ours for a long time! I made her lead dancer! (pause) Sometimes, I doubt your commitment to Sparkle Motion!"
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27. GHOST WORLD
Seymour: "Well, I have to admit that things are really starting to look up for me since my life turned to shit."
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26. MAN ON WIRE
Philippe Petit’s 1974 tightrope walk across the World Trade Center was an extraordinary stunt and a breathtaking work of art; James Marsh's documentation/reconstruction of it unavoidably comes across as a requiem that doesn't even need to mention 9/11 to get its point subtly across.
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25. PUNCH-DRUNK LOVE
Barry: "I have a love in my life. It makes me stronger than anything you can imagine."
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24. SYNECDOCHE, NEW YORK
Constructed much like a warehouse full of one secret compartment after another, Charlie Kaufman's directorial debut is an absolutely terrifying comedy and one that requires multiple viewings--I'm looking forward to them.
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23. LET THE RIGHT ONE IN
Oskar: "Are you really twelve?"
Eli: "Yes. It's just I've been twelve for a very long time."
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22. WHAT TIME IS IT THERE?
Another auteur with a great decade of work, Tsai Ming-Liang's best film is a variation on what he does in every film, but with a magnificent structure full of symmetry and echoes between twin narratives and a beautiful payoff at the end.
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21. AMERICAN SPLENDOR
"Real" Harvey Pekar: "If you think reading comics about your life seems strange, try watching a play about it. God only knows how I'll feel when I see this movie."
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