My new essay on Pedro Almodovar's coma-melodrama is up on the Brattle's Film Notes blog. I have to admit that this wasn't the easiest one to write about. It unfolds so beautifully, unexpectedly and subtly that you almost don't want to spoil the effect it has by over-analyzing it. Anyway, it kicks off the Brattle's six-week Thursday night retrospective of the director's work, playing as part of a double feature with what is increasingly my favorite Almodovar film.
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